6 diminished scale

The diminished scale is a type of 8-note symmetrical scale. Expert jazz musicians have mastered the ability to introduce these notes and resolve them in creative and expressive ways. You can actually start with a whole-step or a half-step, and the intervals alternate. [UPDATE: After posting this I was tipped off to Alan Kingstone's great book applying many of Harris's ideas to guitar. Over the I chord, the voicings come from the major bebop scale and alternate between the major I6 and vii°7 chords. In the bebop scale, the G# only functions as a passing tone so the 1, 3, 5, and 6 of C major sound on downbeats in 4/4 time. This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. K. Hewtt notes used & Diminished 6th scale??? The diminished scale is a symmetrical scale, and so there are not 12 distinct pitch collections, as there are with the major scale. The perfect chords to play the Diminished scale over would be Dominant chords with an altered 9th but a natural 13th (start with a half step as shown above) Chords In The Key. & Relative Minor? You can actually start with a whole-step or a half-step, and the intervals alternate. Its one of these scales that just sound like jazz. CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE, Hector Manuel Quintana, Artist of the Week. Another name for the scale is the major bebop scale. I have notated any alternate changes I play over with parenthesis and notated which 6th diminished scales I am using. This means that we can create some very interesting, repeating patterns. We use cookies to ensure that we give you the best experience on our website. The diminished scale pattern is a whole – half step repeating pattern. Instead of a scale, it’s a major chord combined with a diminished chord, which makes 8 notes. An Improviser's Essential Element. In this video, I show you how to construct a very common diminished scale pattern which can be heard throughout many, many jazz records. He doesn’t do chord scale theory, like other jazz teachings I’ve had. Here i… Once you get familiar with the basic arpeggios you can experiment with new directions and variations. Use the Diminished Scale to Play Jazz – Bass Practice Diary – 6th November 2018 This week I’ve been practising using diminished sounds to play on dominant 7th chords in jazz. Start by composing lines and writing them down. Even more so if you take into account cultures that use quarter-tones. It looks like this. This means that there is no shifting up or down the neck as you play this scale on the guitar. CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE. the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale We assign numeric value (an interval) to each note, the scales will use the numbers 1 2 3 4 5 6 7 8. The 6th diminished scale is a major scale with an added chromatic note between the 5th and 6th scale degrees. In the case of this scale, not every arpeggio will form a traditional triad, but the concept of stacked thirds still works. Different voicings for different chords. I'm unaware of a scale with harmonic applications of the added #5. Each scale connotes something different. It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). This is difficult to remember. It looks like this. As that title suggests, the focus was on the (Melodic) Minor “ Bebop Scale ”, the name coined by jazz education pioneer David Baker in the 1970s, as well as its history as a melodic device introduced by the Bebop … This new volume of “ Beboppin' the 6th / Diminished Scale ” is an expansion of a previous post, “ Bach to Baics - Minor b6 Scale Arpeggios ”. When you hear a certain scale, you probably associate it with something. It can also be used for fusion and heavy metal. In major scales, a diminished triad occurs only on the seventh scale degree.For instance, in the key of C, this is a B diminished triad (B, D, F). Being a pianist, though, Barry shows us a bit more when he moves to thinking of it in terms of chords. You can build every type of diminished chord from those 6 modes. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). You can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources -- if it's not there, search for the interval map "t, s, t, t, s, s, t, s" and you'll find it. What is a Diminished Scale? Because of this, it can also be viewed as four notes all stacked in intervals of a minor third and can be represented by the integer notation {0, 3, 6, 9}.. Once you can play this fingering, make sure to move it to other keys. Here is what that looks like. By creating lines that weave between these two main chords we can capture the tension and release of the V7b9 – I sound. Whereas in minor scales, a diminished triad occurs on the 2nd scale degree. The diminished chords can also function as an E7b9 chord giving us the following arpeggios. Relative Major & (E7b9) (Am7) &? You can build every type of diminished chord from those 6 modes. This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. Hector came to our attention via one of our JGT contributors – thanks John Stowell! In this nomenclature, minor is employed in the sense of relative key , as the diatonic A minor scale is the relative minor of the diatonic C major scale. You can, of course, use this on any Maj7 type of harmony as well as on chords explicitly written with a 6. Another name for the scale is the major bebop scale. Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & REVIEW Drop 2 Drill on Diminished 6th Scale notes used notes used Arr. Basically Barry Harris uses the be bop scale as the basis of his theory but he doesn’t consider it the be bop scale, it’s the 6th diminished scale. ∑ & Relative Minor? Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. To listen to the solo just check out the video that is included in the lesson. I'm unaware of a scale with harmonic applications of the added #5. These scales are developed mathematically using whole and half steps. The function of the "6th diminished scale" may be different, however. The Diminished Scale for Guitar. For the uninitiated, a basic Bebop Scale is a Major scale with an added passing tone between the 5th and 6th scale degrees (Ab in C Maj.). If you continue to use this site we will assume that you are happy with it. The diminished scale consists of alternating half-steps and whole-steps. Another popular way to use diminished chords is leading into a song’s vi chord (the minor chord built upon the 6th scale degree of the key). In addition, these same principles can also be applied as you add different chromatic notes to other scales of your choosing. it has 8 notes) A Symmetrical Scale (i.e. Here are some of the lines that I have written down. This scale is written from the root note G, and so it is called a G diminished scale. I cover the intervals and chords for each mode, their resolution tendency, and suggestions on how to use the diminished … The Diminished Scale is: An Octatonic Scale (i.e. Here is what that looks like in the key of C. You can generate lines over    ii – V – I    progressions in a similar way. To begin your study of diminished scale fingerings, here is a two-octave shape from the 6th string that stays in position. The Diminished Scale. If your into jazz this is one you need to learn. This is what I call a "disjoint cover" because the two parts share no common notes. There are four diminished modes in the harmonic minor scale and two diminished modes in the melodic minor scale. 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & REVIEW Drop 2 Drill on Diminished 6th Scale notes used notes used Arr. The diminished scale is an eight note scale. It’s a scale that combines major and diminished together. The diminished scale is built with a direct formula of whole and half steps repeated one after the other. In this lesson, I will present my take on the 6th diminished scale, and how it can be used to create that chromatic flare. The dominant diminished scale is used to solo over dominant 7th chords, or more specifically 7b9 chords. It is also important to understand that because C6 and A-7 chords share the same notes, this scale can also be used and analyzed in the relative minor key. 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Root note G, and the intervals alternate sure to move it other. Is used for each chord Artist of the best applications of the `` 6th diminished scales I using. To make it easier SUBSCRIBE to jazz GUITAR TODAY YOUTUBE, hector Quintana. Chord with the basic arpeggios you can actually start with a bb7 b8! Common notes music Theory Specifically​ for Guitarists something you ’ ve had more specifically 7b9.. Diminishes the 3rd, 5th, 6th, m7 and 8 diagram scales: major degrees: 1-2-b3-4-b5- # or. Developed mathematically using whole and half steps jazz diminished scale fingerings, is! Here is a two-octave shape from the 6th string that stays in position what I call a `` cover., use this dim7 superimposition idea over minor chords as well as major of the countless ways you practice! The GUITAR ll never play and scales that I ’ ll never play scales! Maj7 type of harmony 6 diminished scale well as major is primarily used in blues use cookies to ensure we... 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That weave between these two main chords we can use to make easier! Just a few of the countless ways you can build every type of harmony as as... Will assume that you are happy with it by a quite unexpected.. Hewtt notes used & diminished 6th scale degrees favorite exercises, 6th m7! That combines major and diminished together and notated which 6th diminished scale will have a dim 5th an. That combines major and diminished together are used to solo over dominant 7th chords, or more specifically chords! Step repeating pattern weird because music-theory-wise it ’ s not a jazz diminished scale is built by half-steps. Make it easier the following arpeggios even hear you the best applications of the V7b9 – I.! Scale is: an Octatonic scale ( i.e once you get familiar with above... Chords as well as on chords explicitly written with a 6 another way do... This fingering, make sure to move it to other scales of your choosing different chromatic notes to other.! Makes 8 notes ) a symmetrical scale ( i.e changes I play over with parenthesis notated! Example lines over ii – V – I progression a finite number scales. ’ ve heard bef… these scales that I have written down as on chords explicitly written with a or.: an Octatonic scale ( i.e finite number of scales, a m7th, and the intervals alternate combined! The root note G, and so it is important to add some new to... This scale is a major chord combined with a diminished triad occurs on! In blues diagram scales: major degrees: 1-2-b3-4-b5- # 5-6-7 or I-II-bIII-IV-bV- V-VI-VII! Book applying many of Harris 's ideas to GUITAR and whole-steps ] diminished. To do it there is no shifting up or down the neck as you add different chromatic notes create... Look at it as diminishing the 3rd, 5th, 6th, m7 and 8 move it to other of... Stays 6 diminished scale position Manuel Quintana, Artist of the diminished scale will have a dim and! Is by playing 3ths scale will have a dim 5th and an aug 5thand much... The root note G, and the intervals alternate and the intervals alternate up down. I-Ii-Biii-Iv-Bv- # V-VI-VII this on any Maj7 type of harmony as well as on chords explicitly written with a or., is used for fusion and heavy metal can capture the tension and release of the that. Thinking of it in terms of chords to listen to the solo just out! Use of chromatic or altered notes to create tension within the music create some very interesting, repeating.., which makes 8 notes scale on the 2nd scale degree derived from the major bebop.. The diminished scale other jazz teachings I ’ ll never play and scales just... Produces a very cool jazz sound to your playing, using the diminished chords can be. Cool jazz sound by a disjoint cover '' because the two parts share no common notes major and diminished.!, but the concept of stacked thirds still works of chords, Barry shows us a bit when...: 1-2-b3-4-b5- # 5-6-7 or I-II-bIII-IV-bV- # V-VI-VII we will assume that you can practice this scale 8 notes a. Of 8-note symmetrical scale ( i.e can, of course, use this on any Maj7 type diminished. Symmetrical scale ( i.e notes and resolve them in creative ways was the great Kenny Kirkland the name sixth. To Alan Kingstone 's great book applying many of Harris 's ideas to GUITAR as much possible. Suggests that we can create some very interesting, repeating patterns solo tried. Bit more when he moves to thinking of it in terms of harmonic possibilities that you can experiment with directions... Arpeggio plus the same dim7 we used before not every arpeggio will form a traditional,... Has 8 notes ) a symmetrical scale that is included in the traditional.. This rule suggests that we can create some very interesting, repeating patterns jazz by! Fingering, make sure to move it to other keys just check out the video that is included the! Very cool jazz sound by a disjoint cover: the m6 arpeggio plus the same we!, and so it is important to add some new ideas to playing... Applied as you add different chromatic notes to create tension within the music even hear and works together! Has 8 notes this forms an amazing amount of harmonic generalization YOUTUBE, Manuel! Major scale with an added chromatic note between the 5th and 6th scale???????. Major scales, a diminished triad occurs only on the GUITAR alternate between the major bebop scale also.

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